Rosalía performs at Kaseya Center on September 14 and September 16, 2026, closing out the North American leg of the LUX Tour with two rescheduled arena shows in Miami. The concerts bring the Catalan singer’s fourth album, a 13-language orchestral project recorded with the London Symphony Orchestra, to the city where a significant portion of the record was written. The two-night engagement arrives the same week that Hispanic Heritage Month begins on September 15.
Key Takeaways
- Rosalía performs at Kaseya Center on Monday, September 14 and Wednesday, September 16, at 8:30 p.m. The dates were rescheduled from the original June 4 and June 6 performances. All tickets from the original dates are honored.
- The LUX Tour is Rosalía’s largest headlining run to date, spanning 57 arena shows across 17 countries. The tour launched March 16, 2026, in Lyon, France, and the Miami dates close the full itinerary.
- LUX, released November 7, 2025, was recorded with the London Symphony Orchestra under conductor Daníel Bjarnason. Rosalía sings in 13 languages across 18 tracks, with collaborations from Björk, Yves Tumor, Estrella Morente, Pharrell Williams, Caroline Shaw, and Yahritza y Su Esencia.
- The album peaked at No. 4 on both the UK Albums Chart and the Billboard 200, breaking records for a Spanish-language release worldwide.
- Rosalía spent a year living in Miami during the album’s writing process. The city appears directly in the tracklist: “Reliquia,” the album’s second track, contains a lyric about fleeing Florida.
A 13-Language Album Gets an Arena-Scale Production
LUX is not a conventional pop album, and the tour that supports it is not a conventional arena show. Rosalía’s fourth studio record, released through Columbia Records on November 7, 2025, was built across recording sessions at Air Studios in London, La Fabrique in the south of France, L’Auditori in Barcelona, studios in Los Angeles, and FB House in Miami. The London Symphony Orchestra, conducted by Icelandic composer Daníel Bjarnason, provides the album’s structural backbone. Rosalía served as executive producer.
The album unfolds across four movements and 18 tracks. Rosalía sings in Spanish, English, Catalan, Arabic, French, German, Hebrew, Italian, Japanese, Latin, Mandarin, Portuguese, Sicilian, and Ukrainian. The language shifts are not decorative. Each language carries its own rhythm and mood, and the transitions between them define the shape of individual songs. On “Berghain,” the lead single and a collaboration with Björk and Yves Tumor, the track moves between German, Spanish, and English over tympani, strings, and a lyric borrowed from Mike Tyson. Elsewhere, “La Rumba del Perdón” features Estrella Morente and Sílvia Pérez Cruz in a traditional flamenco frame, while “Reliquia” pushes into glitchy hyperpop. The album’s genre tags on release ranged from orchestral pop and art pop to classical and avant-garde.
Rosalía spent between two and three years on the project. A significant portion of that time went toward learning to sing in each language. The process began with rough drafts sketched using translation tools and moved through sessions with professional translators and phoneticians. The ambition registered with critics: LUX earned near-universal acclaim, with publications calling it a watershed moment in contemporary pop and an album that moved the genre’s boundaries outward rather than reinforcing them.
The LUX Tour Structured as a Four-Act Show
The LUX Tour translates the album’s four-movement structure into a theatrical live format. The 20-song set list opens with “Saoko” and “Sauvignon Blanc” before moving through the album’s centerpieces: “La Perla,” “Dios Es Un Stalker,” “LA FAMA,” “Magnolias,” “La Yugular,” and “Mio Cristo Piange Diamanti.” The second half delivers “Berghain,” “Porcelana,” “Reliquia,” and closes with “Despechá,” “Bizcochito,” and “Divinize.” Songs from Rosalía’s prior catalog, including MOTOMAMI tracks, are threaded into the sequencing alongside the LUX material.
The production pairs choreography, immersive staging, and orchestral arrangements scaled for arenas. Rosalía described her approach to the tour’s design using three notebooks of sketches and ideas, with the goal of creating a live experience that matched the album’s “maximalist” and “brutalist” sonic identity. The result is a show that operates more like a staged performance piece than a traditional concert, with distinct visual and emotional shifts between each of the four acts.
Miami Holds a Personal Connection to the Album
The Kaseya Center dates carry a significance beyond the tour schedule. In an interview with Apple Music’s Zane Lowe, Rosalía revealed that she spent a year living in Miami during the album’s writing period. Several songs on LUX were recorded at FB House, a Miami studio that appears in the album’s credits alongside London, Barcelona, Los Angeles, and the south of France. The city’s influence surfaces directly in the tracklist: “Reliquia” contains a lyric about fleeing Florida, placing Miami inside the album’s geography rather than treating it as a backdrop.
The original North American opening dates for the LUX Tour were scheduled at Kaseya Center on June 4 and June 6. Both were rescheduled to September, and the Miami performances now serve as the final dates of the entire tour instead of its U.S. launch. That repositioning turns the two-night stand into a closing statement for a 57-show global run that began six months earlier in Lyon.
The Kaseya Center Books One of Its Heaviest Months
Rosalía’s two-night engagement is part of a September calendar at Kaseya Center that ranks among the venue’s most active months of 2026. Omar Courtz performs back-to-back nights on September 11 and 12. Gorillaz bring The Mountain Tour on September 18, with Little Simz and Deltron 3030 on the bill. K-pop group Aespa closes the month on September 26 with the Synk: Complaexity tour. The concentration of arena-level acts across a single month reflects Miami’s growing pull as a tour routing anchor for both Latin and global pop markets.
The Rosalía dates also sit at the intersection of two calendar events that reinforce their cultural context. Hispanic Heritage Month begins September 15, one day after the first show. And the Arsht Center opens its 2026-2027 Broadway in Miami season at the end of the month with the South Florida premiere of Buena Vista Social Club, timed to the same heritage month programming. For Miami audiences, the LUX Tour performances land during a week that puts Latin and Spanish-language culture at the center of the city’s arts calendar.
FAQs
When Does Rosalía Perform at Kaseya Center?
Rosalía performs at Kaseya Center on Monday, September 14 and Wednesday, September 16, 2026. Both shows begin at 8:30 p.m. The dates were rescheduled from the original June 4 and June 6 performances. All previously purchased tickets are valid for the new dates.
What Album Is the LUX Tour Supporting?
The tour supports LUX, Rosalía’s fourth studio album, released November 7, 2025 through Columbia Records. The album was recorded with the London Symphony Orchestra and features songs in 13 languages, with collaborations from Björk, Yves Tumor, Estrella Morente, Pharrell Williams, Caroline Shaw, and Yahritza y Su Esencia.
Are the Miami Shows the Final Dates of the LUX Tour?
Yes. The LUX Tour launched March 16, 2026 in Lyon, France, spanning 57 shows across 17 countries. The September 16 performance at Kaseya Center is the final date on the tour itinerary.
What Is the Connection Between Rosalía and Miami?
Rosalía spent a year living in Miami during the writing of LUX. Several tracks on the album were recorded at FB House, a Miami studio. The city appears in the album’s lyrics, with “Reliquia” containing a direct reference to Florida.
